Showing posts with label Doogie White. Show all posts
Showing posts with label Doogie White. Show all posts

Wednesday, 14 May 2014

WAMI (White Appice Mendoza Iggy) - Kill The King (2014)

Genre - Hard Rock / Heavy metal
Label - Metal Mind Productions 

Track listing:
01. The Rider
02. Young Blood
03. One More For Rock'n'roll
04. Guardian Of Your Heart
05. Transition
06. The Resistance
07. Exodus (The Red Sea Crossing)
08. Heart Of Steel
09. Wild Woman (You Oughta Know)
10. Get Out Of My Way
11. I Don't Wanna Lose You

WAMI are a brand new super-group featuring the talents of vocalist Doogie White (Rainbow, Schenker, Yngwie, La Paz), drummer Vinny Appice (Black Sabbath, DIO) and bassist Marco Mendoza (Black Star Riders, Thin Lizzy, Whitesnake) alongside 16-year-old Polish guitarist Iggy Gwadera, who are releasing their debut CD "Kill The King" today, May 13.
The whole idea for this project was started by Marco Mendoza two years ago. Performing in Poland, Thin Lizzy was supported at that time by the metal act Anti Tank Nun – and, as it seems, the extraordinary talent of the support act’s guitarist, Iggy Gwadera, left Mendoza enchanted.
The collaboration between the two followed and soon it evolved into a full star-studded project, involving Mendoza and Gwadera as well as shouter Doogie White and monster drummer Vinny Appice.
To make a perfect heavy metal fairy tale out of it, it should be added that the impressive Gwadera is only 16 now, the fact that can really restore one’s faith in the late ‘90s “generation Z” as they call it.
Of course, the fairy tale wouldn't be complete without the input of the Fairy Godmother(s), or, in this case, the producers’ team. Here we go as follows: Jarek ‘Chilek’ Chilkiewicz (a well-known Polish guitar player) as well as the album’s composers Wojtek and Piotr Cugowski (the two talented sons of Polish classic rock legend Krzysztof Cugowski who followed their father’s footsteps artistically).
The result of this multi-dimensional collaboration is "Kill The King".
Enough of the background – let the music do the talking.
WAMI’s first release is perfect balance between hard rock versus traditional metal, classic roots versus contemporary sound, aggressiveness versus melody.
“The Rider” is the dynamic opener featuring the dazzling guitar gallop, followed by the powerful, upbeat mid-tempo “Young Blood” where stellar vocal harmonies complement the melodious main riff.
The next song is a bit self-introductory, as White sings 'we are rock’n’roll believers' in his raspy but strong voice; it’s “One More For Rock’n’Roll”, a number with a Black Sabbath trademark style and psychedelic flavors.
Fourth track is the absolute highlight – the ballad “Guardian of Your Heart”, where Doogie White shares lead vocals with the above Piotr Cugowski. A result of their collaboration behind the microphone is the brilliant, emotionally laden performance, and the surprisingly perfect match of these two voices brings the song to a whole new level.
“Transition” is pretty heavy and straight-in-your-face with a bouncy rhythm, which precedes the mellow intro to “The Resistance”, but that's only seconds before the track evolves into a metallic killer stomper with muscular gun-machine riffs and feisty, aggressive vocals – but at the same time, still melodic. Interestingly enough, this song’s outro is an obvious reference to White’s Scottish heritage – check it out and you’ll have it loud and clear.
“Exodus (The Red Sea Crossing)” is driven with a slow, lumbering, early eighties metal British-esque atmosphere. Its follow-up “Heart Of Steel” is a groovy but melodic hard rock piece, driven by quite modern riff.
Some bluesy hard rock overtones are to be distinguished in “Wild Woman (You Oughta Know)”, a feisty and groovy hard rock piece (think early Whitesnake), in a contrast with “Get Out Of My Way” which develops into a fast-paced, dynamic hard rocker with aggressive dialogue between the lead and backing vocals.
The final cut “I Don’t Wanna Lose You” is a soaring acoustic ballad with cello part played by the guest musician Dorota Wozniak-Mocarska and a perfect melody to finalize the CD.
"Kill The King" above all, proves one undisputed fact – this international, intergenerational hard rock WAMI project really works. And even more, the sensational artistic collaboration between a group of talented Polish musicians and the three hard rock legends would be seriously unappreciated if referred to only as a curiosity in Appice’s or White’s vast discographies.
It’s so because of many reasons – not only the predictable quality of the performance by the legendary musicians of Rainbow, Dio or Whitesnake fame, but also well-crafted compositions penned by the creative duo of Cugowski brothers.
The true scene stealer is, however, guitarist Iggy Gwadera – being not even old enough to vote and still, capable of meeting such a challenge. His talent and prowess, surprising at such young age, really shines through the entire album, and it’s almost certain we’ll hear about this gifted young man in the future – perhaps mentioned again alongside big names of the music industry.
Let’s also hope Kill The King won’t be the last album under the WAMI moniker – although with the bar set so high with the first one, it’ll be hard to top it.
Strongly Recommended.

Rating - 8/10



Full Line Up - 

Doogie White - vocals

Vinny Appice - drums
Marco Mendoza - bass
Iggy Gwadera - guitars
Additional musicians:
Jarek ‘Chilek’ Chilkiewicz – additional electric & acoustic guitars
Wojtek Cugowski – add. electric & acoustic guitars, backing vocals
Piotr Cugowski – guest lead vocals (track 4), backing vocals
Tomasz Golab – bass (track 5)
Szymek Synowka – drums (track 9)
Marek Trojanowicz – all keyboards
Dorota Wozniak-Mocarska – cello (track 11)
Eliza Cugowska, Krystyna Cugowska & Ewa Chilkiewicz – backing vocals
thanks to Alexandra Mrozowska

Saturday, 11 January 2014

Schubert In Rock - Schubert In Rock (2013) Review


Genre - Hard Rock / Heavy Metal
Label -

Track listing:

01. Second King Of Darkness (feat. Tony Martin)
02. Heavy Metal Party (feat. Biff Byford)
03. Cavalry Of Evil (feat. Joe Lynn Turner)
04. Ready For The Action (feat. Marc Storace)
05. Good Morning Sir (feat. Doogie White)
06. Lady Of The Tower (feat. Doogie White-Joe Lynn Turner)
07. Black Jack Billy (feat. Joe Lynn Turner)
08. Young Free And Deadly (feat. Tony Martin)
09. Don On Fire (feat. Don Airey)
10. Stairway To Hell (feat. Doogie White)
11. Three Horned Dragon (feat. Biff Byford)
12. Perfect Body (feat. Marc Storace)
13. Davi (feat. Doogie White)
14. Holy Ground (feat. Bernie Marsden)

Schubert In Rock: A fusion of great Rock-musicians recording an album with Klaus Schubert from Austria. featuring a fantastic line up that includes: Klaus Schubert (Guitars) Bernie Marsden (Guitar) Nail Murray (Bass) Don Airey (Keyboard, Hammond) Vocals: Joe Lynn Turner (ex. Deep Purple, Rainbow) Tony Martin (ex.Black Sabbath) Doogie White (ex.Rainbow) Biff Byford (Saxon) Marc Storace (Krokus)

Ok so with such a prestigious gathering of rock music's top musicians you would expect this album to be something a little special, and it is. The musicianship is Divine,as you would expect from such a line up, buts so cohesive, almost as though these guys had been playing together in the same band for the last twenty years. The songs are solid and some of the vocal performances are simply awesome, from Tony Martin on "Young, Free and Deadly" to Biff Byford on "Heavy metal Party" to Doogie White on "Stairway To Hell" and the albums most standout track, "Davi"

"Schubert In Rock" is a great classic hard rock album that displays the talents of all those involved very well.

Well worth checking out!

Rating - 9/10

Tuesday, 26 November 2013

MICHAEL SCHENKER's Temple Of Rock - Bridge The Gap (2013)

Genre - Hard Rock / Heavy Metal
Label -

Track listing:

01. Neptune Rising

02. Where The Wild Winds Blow
03. Horizons
04. Lord Of The Lost And Lonely
05. Rock'n'roll Symphony
06. To Live For The King
07. Land Of Thunder
08. Temple Of The Holy
09. Shine On
10. Bridges We Have Burned
11. Because You Lied
12. Black Moon Rising
13. Dance For The Piper


Legendary German guitarist MICHAEL SCHENKER is back with a new album, "Bridge The Gap", that will do just what it says - it's the record that will find Schenker returning to the major leagues in the very near future. It's filled with great riffs, compelling melodies, the best set of songs on a Schenker project in ages, and it finally sounds like Mr. Schenker is back in a band: his Temple Of Rock.

The last five years have seen Michael steadily climbing and gaining confidence along the way - once hindered by the anxieties of stage fright, and all-to-many incidents of infamy, it would appear that the guitar master has settled into a place in which he finds peace, and full command of his considerable creativity. I don't know of a hard rock guitarist who doesn't hold the man in high esteem, and now they'll be back to chasing his lead.
"Bridge The Gap" continues Schenker’s fine run of form. It is a coherent and consistent album delivering 13 full-on tracks of hard, fast, melodic heavy rock, plus a trademark opening instrumental effortlessly delivered by a highly competent band which, in addition to songwriting partner and vocalist Doogie White, consists of Wayne Findlay (keyboards and 7-string guitar), and the former Scorpions rhythm section of Herman Rarebell (drums) and Francis Buchholz (bass).
Scotsman White is likeable and enthusiastic, and that energy has transferred well to the album. Rarebell and Buchholz are rock steady and admirably efficient. And Findlay, as always, provides understated and selfless support.
While there are particular tracks on the record that shine, and everyone will have their favourites, it’s Schenker’s all-round performance that lifts the album comfortably above the also-rans. Indeed, he sounds truly unfettered as he solos majestically throughout, and it’s a joy to hear.

“I had the same drive making this album as I had when I was 16,” says Schenker. “It felt like bridging the gap from my teenage and Lovedrive years to what I am doing now.”
Given this desire to blend the old and the new, Doogie White has proved to be an astute choice of singer. He often performs under the influence of the great Ronnie James Dio, and both his vocal style and experience make it easy for the band to reference and celebrate the rock tradition of which Schenker is part, but from which he has sometimes seemed disconnected.
"To Live For The King", for example, invites comparisons with White’s former band Rainbow, while there’s a touch of Heaven and Hell-era Sabs about "Shine On" and "Bridges We Have Burned". On a similar theme, there’s just a hint of Kashmir in the riff and keyboard lines on "Temple of the Holy", a track that also features Schenker at his absolute best with some trademark guitar work through the chorus and a great solo to fade.
The celebratory vibe is even more apparent on "Rock 'n' Roll Symphony" with White tying a number of classic rock song titles together in an entertaining lyric.
There are other stand outs; "Where the Wild Winds Blow" builds ominously before breaking into a catchy and melodic chorus which complements Schenker’s playing perfectly. It also features an unexpected classical guitar interlude mid-track against a warm choral backdrop.

"Lord of the Lost and Lonely", with its vaguely Celtic vibe, is also a melodic winner and strikes me as a not-too-distant cousin of Victim Of Illusion from the very first MSG album. "Because You Lied" is perhaps the most unusual track on the album featuring a jabbing riff from Schenker, some insistent tub thumping from Rarebell, and a different kind of vocal from Doogie.
But the pick of the bunch is possibly the slightly quirky "Dance for the Pipe", the kind of track – blending complementary vocal and guitar melodies – that is part of Schenker’s distinctive contribution to hard rock.
"Bridge The Gap" brings Michael Schenker at the top of his game riding higher in the saddle than he has in decades, rifling off riffs that make you ask 'How does he do that?' soloing with smoldering intensity and his trademark melodicism, and writing tunes you want to hear again and again.
Whist the mad axeman's guitar playing is why we attend, this record finds him partnered with veteran shouter Doogie White: the singing Scotsman has written the best melodies and lyrics to be heard on a Schenker project in a great many years, and there is something magical that happens when Michael is matched up with his Scorpions brothers, Herman Rarebell and Francis Buccholz.
Everyone on "Bridge The Gap" is playing at their apex, and they're reaching deeper and mining pure gold.

Highly Recommended.

Rating - 9/10



The Line Up -

Michael Schenker (guitar)

Doogie White (vocals)
Herman Rarebell (drums)
Francis Buchholz (bass)
Wayne Findlay (guitar, keyboards)

Produced by Michael Schenker and Michael Voss











Monday, 7 November 2011

Doogie White - As Yet Untitled

Genre - Hard Rock / Clasic Rock

Track listing -

01 Come Taste The Band

02 Time Machine
03 Dreams Lie Down And Die
04 Lonely
05 Land Of The Deceiver
06 Secret Jesus
07 Sea Of Emotion
08 Catz Got Yer Tongue
09 Living On The Cheap
10 Times Like These

"As Yet Untitled is the first solo album of the Scottish singer Doogie White, who halfway of the nineties became world famous as the lead vocalist of Ritchie Blackmore’s Rainbow and who very convincingly took care of the vocals parts on the ‘Stranger In Us All’ record. After having sung for a couple of years at the side of mister Blackmore, he went on to do the vocals with another guitar hero being our Swedish ego-tripper Yngwie Malmsteen. With mister Malmsteen Doogie’s adventure lasted about six and a half years and two albums and recently he very surprisingly joined the reincarnated New Wave Of British Heavy Metal band Tank. Besides all of this over the years Doogie also recorded four (great) albums with his band/project Cornerstone, as well as albums with Tank and Empire"
 
The list of guest musicians involved in the recording of “As Yet Untitled” looks impressive:
Patrick Johansson (Yngwie), Thomas Broman (Glenn Hughes) – Drums, Derek Sherinian (Black Country Communion), Tony Carey (Rainbow) – Bass, Neil Murray (Whitesnake), Greg Smith (Ted Nugent), Paul Logue (Edens Curse) - Keyboards,Pontus Norgren (Hammerfall), Marcus Jidell (Royal Hunt), Phil Hilborne ( Queen Musical), Mick Tucker (Tank) - Guitars and Patti Russo (Meatloaf, Cher) - Guest vocals.

So with such a wide ranging array of talent we should be expecting something special, and thats exactly what we get. With a sound that falls somewhere between the classic hard rock of bands like Rainbow and Deep Purple with a contemporary edge and production, As Yet Untitled is a damn fine debut!
Ten very strong melodic yet heavy rock tracks, that show case both Doogies amazing vocal range and his songwriting abilities too. (He co-wrote every track on the album!)

 Every one of the ten songs here are excellent but stand out tracks for me have to include, opener Come Taste The Band, Dreams Lie Down And Die, Sea Of Emotion and Times Like These.
This album has been a long time coming, but it sure sounds like its been worth the wait. Lets hope we dont have to wait years for the follow up!

A Great Classic Hard Rock Album!

Rating 9/10