Showing posts with label Glenn Hughes. Show all posts
Showing posts with label Glenn Hughes. Show all posts

Sunday, 6 November 2016

Glenn Hughes - Resonate (2016)

Genre - Hard Rock
Label - Frontiers Music

Track listing:
01 - Heavy
02 - My Town
03 - Flow
04 - Let It Shine
05 - Steady
06 - God of Money
07 - How Long
08 - When I Fall
09 - Landmines
10 - Stumble & Go
11 - Long Time Gone

"Resonate" is the first GLENN HUGHES solo album in eight years, and is to be released via Frontiers Records.
To say that "Resonate" lives up to its name is to understate Glenn Hughes’ pivotal role in hard rock related music. Both his music and his stage performance has always been about the twin pillars of drama and dynamics and he reverts to type here.
From his constant rumbling bass and stratopheric vocal whoops that transform a heavy duty groove into something unexpected, to the bone crunching guitar lines of co-producer Soren Andersen, Hughes and his band move every last air molecule in the studio.
Given that this is his first solo album for 8 years, he works hard to re-confirm his hard rock credentials. There’s barely a tip of the hat to his mid 90′s jive ass funk and blue eyed soul, except for ‘Landmines’, which combines funk and a vocoder break, and the closing rock ballad ‘Long Time Gone’.
The title track ticks all the right boxes as his impassioned phrasing provides a sharp contrast to the booming rhythm track. His sudden vocal swoop into the hook announces that ‘The Voice of Rock’ is back.
‘Resonate’ reveals more with each play as there’s so much going on. From Chad Smith’s bombastic drums on the opening title track - albeit Pontus Engborg puts in the main shift on the album – through Hughes’s pulsating bass to Soren Andersen’s distorted (but clean) guitar lines and the album’s overall enveloping sound, this is hard rock as it was meant to be.
That said, it’s also an album that belatedly leaves the heavy rock template at the three- quarter mark, as it goes in search of other musical directions.
Indeed by the extended blow of ‘How Long’, the heavy approach seems to have run it’s course, as keyboard player Lachy Doley adds a mid-number keyboard break that compared to his impressive riffing on ‘Steady’ sounds like a filler solo.
But there’s plenty of good stuff leading up that point. Hughes adds a trademark vocal on both the booming title track and the hook of ‘My Town’.
He’s also at his most expansive on the catchy ‘Let It Shine’, the Deep Purple influenced ‘Steady’ and the soulful ‘When I Fall’. And it’s on these highlights that the band members complete a reverse arc from the opening bluster to later more restrained approach that allows them to broaden their musical palette.

Hughes vocal performance, which, just like his ripping bass lines, is the cornerstone of a big sounding album. He confidently brings his full range to bear on a wide variety of material that showcases his ability to rock as well as nuance some introspective emotive moments
On ‘Let It Shine’ we have to briefly plough through rumbling bass lines and distorted guitar tones before an uplifting hook resolution that stays long in the memory. Soren Andersen’s subsequent gnawing guitar break drags us over the coals.
This track is the moment when the band is in perfect synchronicity as it counterbalances Hughes’s hard rock credentials with his soulful style vocals.
"Resonate" certainly lives up to its name. It’s an album sculpted by layered parts and shaped by a huge wall of sound that accommodates every element of Glenn’s bristling persona. He’s an indefatigable performer who rocks, grooves and gets just as soulful in the studio as he does while treading the boards.
Ultimately Glenn Hughes imbues the hard rock template with sundry possibilities, but just like a stick of rock the end result comes stamped all the way through with his unique DNA.

An Essential Release!!!

Rating: 10/10

Saturday, 31 May 2014

California Breed - California Breed (2014)

Genre - Hard Rock / Classic Rock
Label - Frontiers Records. 

Track listing:

01. The Way
02. Sweet Tea
03. Chemical Rain
04. Midnight Oil
05. All Falls Down
06. The Grey
07. Days They Come
08. Spit You Out
09. Strong
10. Invisible
11. Scars
12. Breathe

For Rock and Roll iconic legend Glenn Hughes, Black Country Communion is no more, enter; CALIFORNIA BREED, the new rocking trio formed together with Bonzo Bonham's son Jason and the young, but completely electrifying guitarist Andrew Watt.
While Hughes / Bonham need no introduction, 23-year old guitarist / singer Andrew Watt joined the two giants based on a recommendation from Julian Lennon. He's a revelation and you will be surprised by his chops.
Produced by Dave Cobb, who has worked wonders with Rival Sons, "California Breed" is pretty damn spectacular.
Glenn Hughes continues to amaze, as his vocals just keep getting better and better with age. He's in grandiose form here, screaming up a storm on the heavy opener "The Way", and soaring to the heavens on the groove laden hard rocker "Sweet Tea".
His bass playing is quite muscular as well, and locked in tight with his buddy Bonham on the crunchy delivery of "Chemical Rain", with Watt's textured riffs adding a playful edge. "Midnight Oil" sounds like a heavier Rolling Stones, with meaty riffs, funky grooves, and great female vocals backing up Hughes.
Watt has a completely different style than Joe Bonamassa, so don't look for that blues edge which we saw with BCC, instead he mixes '90s hard rock, psychedelia and classic rock elements into his playing evoking Jimmy Page, Jimi Hendrix, Mick Ronson, Jerry Cantrell, and maybe even a little Jeff Beck. He also doesn't overplay, his brief solos complementing the songs as to allow the riffs to be the main focus.
Back to Mr. Hughes again, he's at the top of his game on the emotional ballad "All Falls Down" (also featuring a scorching solo from Watt) and sounds all devilish on the groovy "The Grey", with his bass weaving around some powerful drum fills from Bonham.
One of the heaviest songs on the CD is the crushing, almost doom laden barnburner "Invisible", complete with nasty riffing from Watt, a pounding Bonham, and powerful wailing courtesy of the 'voice of rock' .
Also of note is the '70s styled funky hard rocker "Scars", a Trapeze-meets-Humble Pie styled number with fat, wah-wah bass lines from Hughes, Watt's insistent riffing, and thunderous grooves from the son of the late Led Zeppelin drum legend.
Considering how long this band was shrouded in secrecy, it's great that California Breed has finally been unveiled for all to enjoy. Honestly, it sounds like these 3 have been playing together for years, as there's great chemistry between them already.
While it would have been great to hear Hughes & Watt sharing more vocal duties (Watt is a very good singer - check him out on youtube or alongside Hughes on the tender acoustic tinged track "Breathe"), there's a lot to take in here and a ton to love; fiery hard rockers, beefy '70s styled heavy rock, funk, classic rock, psych pop... it's all here and then some.
California Breed incorporates the face melting melodies of decades ago, then mixing it up with some seriously heavy 21st century structures, all wonderfully captured on tape (yes, this recording sounds warmly analog).
STRONGLY RECOMMENDED.

Rating - 9/10



Thursday, 26 May 2011

Black Country Communion - 2





Genre - Hard rock / Classic rock / Blues Rock
Label - Mascot

Track listing -

01. The Outsider
02. Man In The Middle
03. The Battle For Hadrian's Wall
04. Save Me
05. Smokestack Woman
06. Faithless
07. An Ordinary Son
08. I Can See Your Spirit
09. Little Secret
10. Crossfire
11. Cold

New rock super group, Black Country Communion, follow up last year’s awesome debut album with "2". Pretty much continuing where the debut left off, with their bluesy soulful, Deep Purple meets Led Zepplin sound. With the pedigree within this band you expect the songs to amazing, and they don’t let you down!
The album opens with two powerhouse tracks, The Outsider and Man In The Middle, before the band slow things down a little with The Battle For Hadrian’s Wall, an epic bluesy track that could of easily have been a part of guitarist's Joe Bonamassa's album Dust Bowl. Save Me follows, a song with a very heavy Zepplin feel to it, which isn’t surprising considering drummer Jason Bonham claims that it has its roots in a jam that took place between himself and Zepplin Messer’s Jimmy Page and John Paul after the famous 02 reformation gig! Awesome song! Everyone pulls through with this with some great work from Joe and Glenn!
And it just doesn’t stop, with song after song of supreme high quality classic bluesy rock!

I truly hope that these guys can keep the egos in check, because so far they’ve delivered two fantastic albums, if they can stay together they will become a legendary band in their own right!

True pedigree shines through once again, very highly recommended!


Website - Black Country Communion

Rating 10/10

Monday, 21 February 2011

Pushking - The World As We Love It



Genre - Hard Rock / Classic Rock
Label -

Track listing -

01. Intro
02. Nightrider (Billy Gibbons: vocals, guitar)
03. It'll Be OK (B. Gibbons: vocals, Nuno Bettencourt: guitar)
04. Trouble Love (Alice Cooper: vocals, Keri Kelli: guitar)
05. Strangers Song (John Lawton: vocals, Steve Stevens: guitar)
06. Cut The Wire (Paul Stanley: vocals, Steve Salas: guitar)
07. My Reflections After Seeing the Schindler's List Movie (S. Vai: guitar)
08. God Made Us Free (Graham Bonnet: vocals)
09. Why Don't You (Glenn Hughes: vocals)
10. I Believe (Jeff Scott Soto: vocals)
11. Tonight (G. Hughes: vocals, Joe Bonamassa: guitar)
12. Private Own (G. Hughes: vocals, Matt Filippini: guitar)
13. Open Letter To God (Eric Martin: vocals)
14. Nature's Child (Udo Dirkschneider: vocals)
15. I Love You (Dan McCafferty: vocals)
16. Head Shooter (Joe Lynn Turner: vocals)
17. Heroin (Jorn Lande: vocals)
18. My Simple Song (Dan McCafferty: vocals)
19. Kukarracha (All Stars: vocals, Steve Lukather: guitar)

Pushking is a melodic rock band that was formed in 1994 in Russia. Somehow they have managed together a pretty much who's who of melodic rocks finest stars to guest on this album with, to be honest mixed results.
There is absolutely no doubting the talents of the guest stars, they are all superstars in their own rights, Alice Cooper, Jorn Lande, Joe Lynn Turner, Glenn Hughes etc, but the obvious talents of the guest stars only serves to highlight the inadequacies of the band themselves.
There are some good songs on here, even if many of them do sound a little dated, but enjoyable none the less, but as I said many of them are saved purely by the talents of the guest stars, a great example is track five, Reflections, purely forgettable and skip able if not for some great guitar work from Steve Vai.

This album is for fans of the guest stars only, to be honest, and really only for completists.

The Band are
Konstantin “Koha” Shustarev - Vocals
Nikolai Yegerev - Guitar
Dmitry Losev - GuitarValeriy Sadakov - Bass
Vicktor Drobysh - Keys
Andrey Kruglov - Drums

The Guest musicians :
Paul Stanley (lead vocals)
Glenn Hughes (lead vocals)
Eric Martin (lead vocals)
Graham Bonnet (lead vocals)
Joe Lynn Turner (lead vocals)
Jorn Lande (lead vocals)
John Lawton (lead vocals)
Alice Cooper (lead vocals)
Jeff Scott Soto (lead vocals)
Dan McCafferty (lead vocals)
Udo Dirkschneider (lead vocals)
Billy Gibbons (lead vocals and guitar)
Stevie Salas (guitar)
Steve Lukather (guitar)
Matt Filippini (guitar)
Joe Bonamassa (guitar)
Steve Stevens (guitar)
Keri Kelli (guitar)
Steve Vai (guitar)
Nuno Bettencourt (guitar)
Eric Ragno (piano, organ)



Website - Pushking
Rating - 7/10

Saturday, 27 November 2010

Black Country Communion - Black Country



(Genre - Classic Rock / Blues Label - J & R Adventures)

Track listing -

01 - Black Country
02 - One Last Soul
03 - The great Divide
04 - Down Again
05 - Baggarman
06 - Song Of Yesterday
07 - No Time
08 - Medusa
09 -The Revolution In Me
10 - Stand (At The Burning Tree)
11 - Sista Jane
12 - Too Late For The Sun

Black Country is the stunning debut from Black Country Communion the Anglo/American rock super group comprising vocalist/bassist Glenn Hughes (Deep Purple Black Sabbath, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Alice Cooper) and blues rock guitarist Joe Bonamassa. The problem with the albums released by most supergroups is that they tend to dissapoint a little, but theres no such fear here.
Opening with a furious bass line, Black Country sets the tone for the rest of the album. A brilliant song, executed to perfection, with Glenn Hughes and Joe Bonamassa dueling through out, a real call to arms. Glenn is in fine voice throughout this album, possibly the best he as sounded in years, and Joes guitar work is phenomenal. Jason, at times almost sounds like his late great father John Bohnam, to be honest I just cant say enough good things bout this album.
Stand out tracks include, Black Country, Great Divide, One Last Soul, the epics Song of Yesterday and Too Late For The Sun and Medusa.
A stunning album from the finest collection of musicians to grace a cd in years!
Very highly reconmended!

Website - http://bccommunion.com/
Rating - 10/10

Thursday, 16 September 2010

BLACK SABBATH's 'The Eternal Idol' Expanded Reissue To Include RAY GILLEN Recordings

This is huge news for Sabbath fans!
According to a posting on the BLACK SABBATH fan site Black-Sabbath.com, expanded reissues of SABBATH's "Seventh Star" (1986) and "Eternal Idol" (1987) albums — which featured Glenn Hughes (ex-DEEP PURPLE) and Tony Martin, respectively, on vocals — will be made available in the U.K. on October 25 via Sanctuary/Universal.


After just a handful of dates on the 1986 "Seventh Star" tour, Hughes was let go, and singer Ray Gillen was brought on board. Gillen finished the tour, and work began on the next SABBATH album, and it was mostly completed. Gillen left to form BADLANDS (with now-KISS drummer Eric Singer, who also previously played with SABBATH), and this left BLACK SABBATH with a mostly completed album, and no singer. Tony Martin was brought in and re-recorded all the vocals in two weeks. The album came out with Tony Martin, and the only remaining bit of the original Ray Gillen vocals was some laughter in the track "Nightmare".
The original Ray Gillen version of "The Eternal Idol" has been traded in bootleg circles for ages now.
The additional tracks on "The Eternal Idol" expanded reissue include "Some Kind Of Woman" and "Black Moon" (demo) on Disc 1. Disc 2 will comprise the entire Ray Gillen version of "The Eternal Idol" album!

"The Eternal Idol" expanded reissue track listing is:

Disc 1:
01. The Shining
02. Ancient Warrior
03. Hard Life To Love
04. Glory Ride
05. Born To Lose
06. Nightmare
07. Scarlet Pimpernel
08. Lost Forever
09. Eternal Idol
10. Black Moon (demo)
11. Some Kind Of Woman

Disc 2 (featuring Ray Gillen on vocals):
01. Glory Ride
02. Born To Lose
03. Lost Forever
04. Eternal Idol
05. The Shining
06. Hard Life To Love
07. Nightmare
08. Ancient Warrior

The first disc of the "Seventh Star" expanded reissue will include the album as well as the remixed version of "No Stranger to Love", which appears in the music video of the same. Disc 2 is a live concert recorded on June 2, 1986 and has Ray Gillen on vocals.

"Seventh Star" expanded reissue track listing:

Disc 1:
01. In For The Kill
02. No Stranger To Love
03. Turn To Stone
04. Sphinx (The Guardian)
05. Seventh Star
06. Danger Zone
07. Heart Like A Wheel
08. Angry Heart
09. In Memory
10. No Stranger To Love
11. No Stranger To Love (remix by Jeff Glixman)

Disc 2 - Recorded Live On June 2, 1986 (featuring Ray Gillen on vocals):
01. Mob Rules
02. Danger Zone
03. War Pigs
04. Seventh Star
05. Die Young
06. Black Sabbath
07. N.I.B.
08. Neon Knights
09. Paranoid

As I said this is huge!

** This info is reposted from Blabbermouth.net ***