Showing posts with label Ian Piace. Show all posts
Showing posts with label Ian Piace. Show all posts

Saturday, 16 August 2014

BERNIE MARSDEN - Shine (2014)

Genre - Hard Rock / Blues Rock / Melodic Rock
Label -

Track listing:
01. Linin' Track
02. Wedding Day
03. Walk Away
04. Kinda Wish She Would
05. Ladyfriend
06. Trouble
07. Who Do We Think We Are?
08. Bad Blood
09. Shine
10. Dragonfly
11. You Better Run
12. Hoxie Rollin' Time
13. Nw8

### The following review is not my work but I couldn't agree more so I reproduce it here. All credit to the original author ###

Ex Whitesnake guitarist BERNIE MARSDEN new album "Shine" to be released next August 18, explores a wide ranging musical horizon including a cleverly updated bluesy, slick AOR, kick ass boogie, riff driven and twin guitar rock, a steaming bluesy shuffle and a book-ended instrumental.
By his own admission "Shine" includes some stockpiled material, but it’s subtly shaped, polished and nicely sequenced by his former Alaska band member turned producer Rob Kass.

Recorded in studio 3 in Abbey Road (where the Beatles cut ‘Revolver’), "Shine" sparkles with confident songs, sumptuous guitar tones, potent harmonies, magisterial playing and Bernie’s best ever lead vocals.
Producer Rob Kass strikes the prefect balance between the album’s song driven focus and the possibilities that an array of guests – including David Coverdale, Jimmy Copley, Ian Paice, Don Airey Cherry Lee Mewis, Joe Bonamassa and Mark Feltham – and a big studio offers him.
"Shine" is a coherent album that plays to Bernie’s strengths. He’s always been a consummate guitarist and a prodigious songwriter, but a combination of different vocals textures injects the steely arrangements with style and gusto.

Listen for example, to the airy, west coast vocal sweep of Danny Kirwan’s "Dragonfly" – included here as an ode to Peter Green – and the standout title track. The Cream style vocal harmonies are underpinned by Ian Paice’s pounding stick work and topped by Don Airey’s keyboard riffs and Bonamassa’s scintillating solo. All the elements coalesce seamlessly as if building to a naturally defining moment on the track.
But this is such a well paced album that the final four tracks find their sequential place as part of an integral whole, before coming to rest on Bernie’s acoustic instrumental outro.

"Shine" opens with a sledgehammer groove of Leadbelly’s "Linin’ Track" which mirrors the song’s lyrical muscularity, while the hot picking on "Wedding Day" has a lively feel, as part of an enveloping production.
The kick ass boogie and ZZ Top influenced "Kinda Wish She Would" is effectively a counterweight as Bernie’s slightly distorted vocal gives the track an extra bit of edge on a riff driven rocker with huge radio potential.

My absolute favourite is the AOR, keyboard led "Walk Away" (awesome Don Airey) with its '80s keyboard motif, uplifting hook and catchy chorus. It's a sister track to the eco message and vocal tour de force "Who Do We Think We Are", a mid-tempo melodic rocker full of magic.

The guests all make their mark, as Mark Feltham’s lyrical harp line colours the extended groove of "Ladyfriend", as it smolders, sparkles and envelops you.
It sets things up nicely for the percussive reworking of "Trouble" predicated on David Coverdale guttural phrasing. Bernie has never been reticent to explore his back catalogue and he’s rarely bettered himself than on this blast from the past.
Cherry Lee Mewis adds gritty vocal contrast on the laid back blues-rocker "Bad Blood" and just when you think the whole album has run its course on the hook laden "You Better Run", Bernie launches himself into a dirt tone wah-wah inflected Americana shuffle "Hoxie Rollin’ Time", which is surely destined to become a live favourite.

Shine" is a career high for Bernie Marsden. 
It’s an album glued together by his own deeply embedded imprint of harmony driven songs with significant hooks and burning solos. It’s almost as if he’s successfully pursued his own mission statement of cutting a definitive solo album. It may have taken him 40 odd years but it’s been worth the wait.
HIGHLY RECOMMENDED.


Rating - 9/10

The Players

Bernie Marsden - Guitars, Vocals
Ian Paice - Drums
Don Airey - Keyboards 
Joe Bonamassa - Guitar
David Coverdale - Vocals
Jimmy Copley - Drums
Mark Feltham - Vocals, Harmonica
thanks to Pete Feenstra

Tuesday, 30 April 2013

Deep Purple - Now What?! (2013)

Genre - Hard Rock / Classic Rock / Heavy Metal
Label -

Track listing -

01 - A Simple Song
02 - Weirdistan
03 - Out Of Hand
04 - Hell To Pay
05 - Body Line
06 - Above And Beyond
07 - Blood From A Stone
08 - Uncommon Man
09 - Apres Vous
10 - All The Time In The World
11 - Vincent Price
12 - It'll Be Me (Bonus Track)

The legendary Deep Purple, (well Ian Gillans current versoin of it anyway), return with their latest offering in the form of Now What?!
To be fair its a very strong and solid album, and not as predictable as one might expect. Now What?! shows that the current incarnation of the band still have plenty to offer as its crammed with great (and very strong!) songs. The musicianship, it goes with out saying,  is absolutley top notch, Ian Gillan's voice is in fine form and the production really does allow the songs to shine. Upon initial listens I dont really see any obvious songles but thats of no real matter as Deep purple like their contemporaries Led Zepplin and Black Sabbath were always an album, as opposed to singles band.
There are plenty of highlights on offer here, from the albums opening track, A Simple Song, which opens with a riff that is very reminicent of Iron Maidens Dance Of Death, Wierdistan, the swift tempoed Hell To Pay, the bluesey Body Line, the epic Uncommon Man and horror themed Vincent Price.
There really is something on offer here to suit everyone.

Highly reconmended for existing fans of Deep Purple and any one curious about one of the founding bands of the heavy metal genre!

Rating 10/10



Catch Deep Purple on their Now What?! 2013 World Tour