Showing posts with label Classic Rock. Show all posts
Showing posts with label Classic Rock. Show all posts

Thursday, 20 April 2017

DEEP PURPLE - Infinite (2017)

Genre - Hard Rock / Classic Rock
Label - earMUSIC

Track listing:
01. Time for Bedlam
02. Hip Boots
03. All I Got is You
04. One Night in Vegas
05. Get Me Outta Here
06. The Surprising
07. Johnny's Band
08. On Top of the World
09. Birds of Prey
10. Roadhouse Blues

British rock legends Deep Purple return with their latest release in the form of Infinite.
Starting out with the ‘quasi-religious computer voice’ of ‘Time For Bedlam’ you’re immediately plunged into recognisable ‘Purple’ territory, its all there from Gillan’s distinctive croon to the keyboard and guitar breaks that punctuate this swaggering rocker.
‘Hip Boots’ which follows is a rather direct bluesy rocker augmented by that distinctive Hammond sound. ‘All I Got It You’ is a track that manages to capture vintage sounds and past glories, then ‘One Night in Vegas’ has an assured, almost funky groove going on. ‘The Surprising’ is a dreamy, almost trancelike musing until two minutes in when the keys and drums fire up and we take a progressive ‘day trip’. ‘Johnny’s Band’ is more direct and guitar led, the tale of ‘Johnny Jones and his band’ and their rise to success and fall. ‘On Top of the World’, is another blues-infused story from Gillan, whilst ‘Birds of Prey’ has a little of the opener ‘Time For Bedlam’ about it, there’s that swagger, that vintage Deep Purple sound and fine performances by all.
The final word goes to a cover of the 47 year of ‘Roadhouse Blues’ by The Doors, it’s one of those landmarks songs, one of the greats in Rock’s pantheon and also one of those songs that’s deceptively simple in structure but so easy to get wrong. Deep Purple play it with a relatively straight bat, and seem to be having a lot of fun doing so. It’s a surprisingly great way to round out what has to be Purple’s finest hour in many a year.

Well worth checking out.

Rating: 9/10

Sunday, 26 February 2017

Thunder - Broken Mirror EP (2017)

Genre - Hard Rock / Classic Rock
Label - Ear-Music

Track listing:

01 - Fire On The Mountain
02 - Blue Eyed Girl
03 - Beyond The Stars
04 - I Will Return

Released exclusively through the bands website, Thunder's Broken Mirror EP is a four track affair set to accompany their brand spanking new album, Rip It Up.
Broken Mirror consists of four tracks that were written and recorded as part of the Rip It Up sessions, and to be honest, any one of them could have quite easily made the album.

The EP opens with the excellent 'Fire On The Mountain', that just has classic Thunder stamped all over it. Next up we have 'Blue Eyed Girl' a great fun little acoustic driven track with a southern blues flavour to it. 'Beyond The Stars' follows, a beautiful power ballad. 'I Will Return' closes out this four track EP, a melodic track. Another slab of genius.

Broken Mirror makes a fine addition to the Thunder back catalogue, with each of the tracks easily being more than good enough to qualify inclusion of the album proper.

Highly recommended!

Rating: - 10/10

Thunder - Rip It Up (2017)

Genre - Hard Rock / Classic Rock
Label - ear-music

Track listing:
01 - No One Gets Out Alive
02 - Rip It Up
03 - She Likes the Cocaine
04 - Right from the Start
05 - Shakedown
06 - Heartbreak Hurricane
07 - In Another Life
08 - The Chosen One
09 - The Enemy Inside
10 - Tumbling Down
11 - There's Always a Loser

Earlier this month British classic rock stalwarts Thunder returned with their eleventh studio album. Now I have always been a big fan of Thunder, and I can honestly say that I do not believe that they guys have ever put out a bad album. Sure some have been less instant than others, but the songs are performances have always been of the highest quality, and hey every now again they guys hit the magical chemistry a release albums that have that little special something, a certain energy and magic that makes them stand out. I'm talking their classic debut, Backstreet Symphony and Robert Johnsons Tombstone. Well guess what, I think that they have only gone a done it again with Rip It Up!
Once again the album is built around the twin pillars of Luke Morley’s songs and vocalist Danny Bowes interpretive ability, as the duo soar above the rock solid rhythm section of Chris Childs and Harry James, while Ben Matthews gives the band additional sonic armoury.
The album opens with 'No One Gets Out Alive', a statement of intent built in the classic Thunder mould, setting out the stall for what is to follow. Title track 'Rip It Up' is up next, with its plodding classic rock riff that breaks down into a great sing along chorus. 'She Likes Cocaine' follows proving to be a right ripsnorter of a track before the semi-ballad ‘Right From The Start’ take the pace down a little, yet manages to turn up the intensity. 'Shakedown' sees the guys picking up the pace once again with another ripper of a track. 'Heartbreak Hurricane' follows, and is one of my personal favourite tracks from this album, if not from the bands entire back catalogue! 'In Another Life' is a great soulful bluesy work out, really showcasing Danny's marvellous voice.
The albums gathers pace with 'The Chosen One', which proves to be yet another great little rocker! 'The Enemy Inside' follows, upon which Morley delivers some clever some oxymoronic wordplay in the lyrics, while he adds a Who style power chord intro and an accompanying Led Zeppelin riff to the stonking 'Tumbling Down'. Yet two more great classic rock tracks! The album closes out with the stylish blues-tinged melancholia of ‘There’s Always A Loser’, completing one of the best and most rounded albums that I have heard in many a year.

Do yourselves a favour and go out and grab a copy of this brilliant album. I sincerely doubt that a better classic rock album will be released this year, possibly even this decade!

Rating: - 10/10



Sunday, 27 November 2016

Ritchie Blackmore's Rainbow - Memories In Rock- Live In Germany (2016) (Live)

Genre - Hard Rock / Classic Rock
Label - Eagle Rock Entertainment

Track listing:
CD 1:
01. Over The Rainbow / Highway Star (Live At Loreley)
02. Spotlight Kid (Live At Stuttgart)
03. Mistreated (Live At Stuttgart)
04. 16th Century Greensleeves (Live At Stuttgart)
05. Since You’ve Been Gone (Live At Stuttgart)
06. Man On The Silver Mountain (Live At Loreley)
07. Catch The Rainbow (Live At Loreley)
08. Difficult To Cure / Toccata & Fugue In D Minor (Live At Loreley)
09. Perfect Strangers (Live At Stuttgart)
10. Stargazer (Live At Loreley)

CD 2:
11. Long Live Rock 'N' Roll (Live At Stuttgart)
12. Child In Time / Woman From Tokyo (Live At Stuttgart)
13. Black Night (Live At Stuttgart)
14. Smoke On The Water (Live At Stuttgart)
15. Spotlight Kid (Live At Loreley)
16. Man On The Silver Mountain (Live At Stuttgart)
17. Long Live Rock 'N' Roll (Live At Stuttgart)
18. Stargazer (Live At Stuttgart)

###### Not My review, all credit to the original author ######

Last Summer 2016 legendary guitarist Ritchie Blackmore made many long-held dreams come true for his fans as RITCHIE BLACKMORE'S RAINBOW played three concerts in Europe, two in Germany and one in England. The two German shows at Loreley and Bietigheim were caught on tape & camera to produce "Memories In Rock : Live In Germany", released via Eagle Rock Entertainment.
Ever since Ritchie Blackmore speculated about doing a couple of Rainbow shows in 2016, hopes and expectations have lead to very emotional discussions between fans. To the disappointment of those hoping for one of the former line-ups to reunite for the gig, Blackmore didn’t go the easy way and – as often – assembled a new team of musicians to accompany him on this adventure.
The band finally announced consisted of current Blackmore's Night drummer David Keith, former Blackmore's Night bass player Bob Nouveau, the great Jens Johansson on keys (also Blackmore's Night contributor) and Lords Of Black singer Ronnie Romero, which lead to even more discussions between fans and even former Rainbow members with Joe Lynn Turner claiming the planned lineup will be “a Ritchie Blackmore band, but certainly not Rainbow” overlooking the fact that Rainbow has always been what Ritchie Blackmore wanted it to be.
Three shows took place, two open air shows in Germany at Loreley and Bietigheim while the third show was staged at the Genting Arena in Birmingham, UK. While the two German shows were recorded on audio and video for this release, the UK show wasn’t recorded, which is unfortunate as it did not only feature the most consistent band performance of all three evenings but also was the only show featuring “Soldier Of Fortune” and “Burn”.
Despite all the discussions about the musicians on stage, the setlist had been the major point of criticism, including way too many Deep Purple songs while leaving out a bunch of Rainbow classics.
Is “Memories in Rock – Live In Germany” an album worth buying? That’s a question hard to answer. It’s a good live album, although for me is more a Ritchie Blackmore solo album than a Rainbow one.
If you are curious how Blackmore sound in 2016 (yes, he still can rock, and really well), the audio CD's offers an enjoyable sound with clear dynamics and a well-balanced mix between each instrument.


Rating: 8/10

Queen - On Air (2016)

Genre - Hard Rock / Classic Rock
Label - Virgin EMI

Track listing:
DISC 1: 1. "My Fairy King" (Session 1: 5th February 1973)
2. "Keep Yourself Alive" (Session 1: 5th February 1973)
3. "Doing All Right" (Session 1: 5th February 1973)
4. "Liar" (Session 1: 5th February 1973)
5. "See What a Fool I've Been" (Session 2: 25th July 1973)
6. "Keep Yourself Alive" (Session 2: 25th July 1973)
7. "Liar" (Session 2: 25th July 1973)
8. "Son and Daughter" (Session 2: 25th July 1973)
9. "Ogre Battle" (Session 3: 3rd December 1973)
10. "Modern Times Rock 'n' Roll" (Session 3: 3rd December 1973)
11. "Great King Rat" (Session 3: 3rd December 1973)
12. "Son and Daughter" (Session 3: 3rd December 1973)

DISC 2:
1. "Modern Times Rock 'n' Roll" (Session 4: 3rd April 1974)
2. "Nevermore" (Session 4: 3rd April 1974)
3. "White Queen (As It Began)" (Session 4: 3rd April 1974)
4. "Now I'm Here" (Session 5: 16th October 1974)
5. "Stone Cold Crazy" (Session 5: 16th October 1974)
6. "Flick of the Wrist" (Session 5: 16th October 1974)
7. "Tenement Funster" (Session 5: 16th October 1974)
8. "We Will Rock You" (Session 6: 28th October 1977)
9. "We Will Rock You (fast)" (Session 6: 28th October 1977)
10. "Spread Your Wings" (Session 6: 28th October 1977)
11. "It's Late" (Session 6: 28th October 1977)
12. "My Melancholy Blues" (Session 6: 28th October 1977)


On Air is the latest release from British Rock legends Queen, featuring for the first time ever officially (almost) every track that Queen recorded in session for broadcast by the BBC in the early 1970's. I say almost every track as one track from Session 4, 3rd April 1974 appears to be missing, that being March Of The Black Queen, but this is due to the fact that the band have always maintained that it was the album version of this song that was broadcast, therefore a BBC session track is not available to release, although this fact had been contested at times by various knowledgeable fans.
Queen’s meteoric ascendancy during the 1970s has been well documented. From their gloriously ambitious self-titled debut album of 1973 through to the album that put them in the superstar bracket, 1975’s A Night At The Opera, and beyond, this unique group carved out a singular path as the most visionary, inventive and charismatic band of that epic decade.
But there is another side to Queen’s rise that has been largely overlooked. Between February 1973 and October 1977, the band recorded six radio sessions exclusively for the BBC. The twenty four recordings these landmark sessions produced include alternate versions of the debut single, unique takes of classic album tracks and even a radically reworked reimagining of one of their best known anthems that has never previously appeared on any Queen studio release.
Now, for the very first time, all six Queen BBC sessions - meticulously restored by Queen engineer Kris Fredriksson and mastered by Grammy Award winner Adam Ayan - have been brought together on Queen On Air, released by Virgin EMI. North America through Hollywood Records. Available as a 2-CD set and a 3-LP vinyl edition, plus a Deluxe 6-disc edition featuring a CD of live broadcasts and 3 CDs of radio interviews, Queen On Air is an essential addition for connoisseurs of the band.
Back in 1989 the band did release a single disc album, Queen At The Beeb which featured the eight tracks from Sessions one and three, but this is the first time that all six BBC session have been made available for official commercial release. And before I go any further I have to say that Kris Fredriksson and Adam Ayan have done a fantastic job here, as the sound quality throughout every song on this two disc set is fantastic!
Queen’s very first session for the BBC, which opens Queen On Air, dates from February 1973, five months before the release of the band’s debut album and single. Imagine that you are listening to the radio in early 1973; no-one in the world has heard any Queen recordings EVER! John Peel plays My Fairy King, the very first Queen song to be broadcast on radio anywhere, and the story begins. He follows with Keep Yourself Alive (the song which later became their first single), the laidback Doing All Right and the epic rock operetta Liar (one of my all time favourite Queen songs!)– all of which serve notice of the arrival of a major new musical force.
The band returned to the BBC for their second session in July 1973, the same month their debut album was released. Revisiting Keep Yourself Alive and Liar, this time they also covered the heavy-as-lead Son And Daughter and the bluesy See What A Fool I’ve Been. The latter, which has never appeared on any Queen studio album, would later be re-recorded and become the B-side of their breakthrough hit single Seven Seas Of Rhye in 1974. In fact See What A Fool I’ve Been is one of the most interesting tracks here as it is performed in a straight serious manner and not with the overtly camp lead vocal that Freddie chose to use for the only other official release of this rare Queen song!
By the time Queen recorded their third BBC session in December 1973, they had already begun work on their second album, Queen II (eventually released in March 1974). The band premiered a new song which would feature on that album, Ogre Battle, which bares a stunning similarity to the live version of the song, alongside three classics from its predecessor, the galloping Great King Rat, the Roger Taylor-sung Modern Times Rock’n’Roll which seems to be performed at a faster tempo than any other available version out there, and a new version of Son And Daughter. Two more Queen II songs were recorded during a subsequent session in April 1974 – the epic White Queen (As It Began) and the delicate ballad Nevermore, which is another of the most interesting tracks on this release with its addition percussion that never made the album version of the song,  alongside a re-recorded Modern Times Rock’n’Roll.
Queen’s penultimate session for the BBC took place in October 1974, a month before the release of their classic third album, Sheer Heart Attack. The session saw the debut of four songs from that record: the dazzling Now I’m Here, the proto-heavy metal thrash attack of Stone Cold Crazy, which would covered by non other than thrash titans Metallica in years to come, the caustic Flick Of The Wrist and Tenement Funster, their celebration of the rock’n’roll lifestyle.
It would be another three years before Queen returned to the BBC for their sixth and final session, by which time the success of Bohemian Rhapsody had turned them into a global phenomenon.
On October 28th 1977, they recorded some radically different versions of four songs from the brand new News Of The World album, on the same day as it was given its UK release: the epic power ballad Spread Your Wings, the steel-plated rocker It’s Late,with this versions mid section morphing into elements of Get Down Make Love,  the dusky jazz number My Melancholy Blues and two significantly contrasting renditions of the global hit We Will Rock You – the ‘regular’ version and the ‘fast’ version, a full-tilt guitar-heavy take on the song. The accelerated version on Queen On Air is the only known studio recording of this live favourite.  “’We Will Rock You’
These two discs alone are must haves for any Queen fan, as they showcase the bands early development, along with their true hard rocking classic rock roots!

To complete the full picture, the 6-CD Deluxe Edition includes Queen Live On Air – a single disc featuring highlights of three live concert broadcasts: Queen live at the Golders Green Hippodrome, from September 1973, their first concert to be transmitted on radio anywhere in the world. Also, Queen performing in Brazil at Sao Paulo’s gigantic Morumbi stadium to a record-setting audience of 131,000 originally relayed live on radio and TV in March 1981 on the Badeirantes network during the band’s infamous South America Bites The Dust tour. Finally, Queen’s penultimate live concert radio broadcast. Aired less than four weeks before their last show with Freddie, this was a live emission from the show in Mannheim Germany, in June 1986 during the mighty Magic Tour.


This really is a great release, long over due!

Rating: 10/10


Sunday, 6 November 2016

Bon Jovi - This House Is Not For Sale (Deluxe Edition) (2016)

Genre - Hard Rock
Label - Virgin EMI

Track listing:
01. This House Is Not For Sale
02. Living With The Ghost
03. Knockout
04. Labour Of Love
05. Born Again Tomorrow
06. Roller Coaster
07. New Year's Day
08. The Devil's In The Temple
09. Scars On This Guitar
10. God Bless This Mess
11. Reunion
12. Come On Up To Our House
BONUS TRACKS:
13. Real Love
14. All Hail The King
15. We Don't Run
16. I Will Drive You Home
17. Goodnight New York
18. Touch Of Grey (Exclusive 'Saturn' Edition Bonus)

"This House Is Not For Sale" is BON JOVI’s new album, and in my honest opinion ion is the best album that they have released in years!
This is Bon Jovi's fourteenth studio album in a long and winding musical road that spans more than three decades and total record sales of more than 130 million units worldwide. Bon Jovi is, quite simply, one of the best-selling bands of all time. And, like many other mega-bands, its members have weathered their share of storms.
Opener title track "This House is not for Sale" has an explanation; "The House" described in this arena-ready single is the band itself, and the whole "not for sale" aspect seems to be an extra punch toward the label, as well as a beat toward the future, which the singer assured "is bright."
"Living with a Ghost" is  another straightaway rock banger with a sweeping guitar melody, then "Knockout", the album's eventual second single, felt fairly old-school, '80s in essence.
"Labour of Love" is the album's first ballad, pretty Springsteen-esque for my tastes. "Born Again Tomorrow" is the "we need to sound like 2016" song.
"Rollercoaster", an up-tempo rocker with a fine dynamic chorus, and even much better with "The Devils in the Temple" and its lyrics with a explicit "screw you" to the record label. Its also one of the best songs that I have heard this year!
Lyrically, "Scars on this Guitar" s Bon Jovi's best work in a while, an ode to a lover — presumably wife Dorothea — who sticks around through thick and thin. It's not that the ballad is so poetic, it just feels like more real, from the heart, and not written solely to blare from MetLife Stadium speakers. It also feels like the natural successor to "My Guitar Lies Bleeding In My Arms" from These Days!
"God Bless this Mess" rocks again with a cool melody and nice guitar riffs, and "Come on up to our House" is a decent mid-tempo with a contemporary feel.
The Deluxe Edition featured 3 bonus; the first being the really good (to me) "Real Love". Kudos to Bryan on the bounding, tonally beautiful piano melody for this tune, written in Nashville with longtime Bon Jovi collaborator Billy Falcon, and in the same vein as Bed of Roses.
"All Hail the King" is a typical 2YK light rocker, and "We Don't Run" is taken from 2015's fan album/record label demand Burning Bridges, another big rock chorus ready for large stages.
"I Will Drive You Home" is a slow mid-tempo beautiful song,  "Goodnight New York" picks up the tempo with its catchy rhythm guitars and a fun vibe.
This Saturn exclusive track 'Touch Of Grey' is one of the best tracks form these recording sessions, a mid-tempo with some acoustic guitar into the mix and a feel akin Bon Jovi's These Days album.

A marvellous return to form for one of the worlds biggest selling bands!

Highly recommended

Rating: 10/10

The Answer - Solas (Deluxe Edition) (2016)

Genre - Hard Rock / Classic Rock
Label - Napalm Records

Track listing:
01. Solas
02. Beautiful World
03. Battle Cry
04. Untrue Colour
05. In This Land
06. Thief Of Light
07. Being Begotten
08. Left Me Standing
09. Demon Driven Man
10. Real Life Dreamers
11. Tunnel
12. In This Land (Acoustic Bonus Track)
13. Light In Darkness (Demo Bonus Track)
14. Money (Pink Floyd Cover Bonus Track)

THE ANSWER are back with the brand new album "Solas" following hot on the heels of their re-mastered and re-released edition of 'Rise' earlier this year.
On "Solas" (the Gaelic word for light) the band have really grown and seem to have made a real about turn in their musical outlook. Less arena-ready blues rockers and more reflective songs and Gaelic influences in some of the music.
There is just so much to take in and enjoy from ‘Being Begotten’, which sounds like a Robert Plant solo song through to ‘Battle Cry’ which is just that, opening with some sweet gentle acoustic and Cormac’s beautifully poetic vocal.
Then a steady bass drum enters, building the song into an intense and deeply layered track, complete with strings and an uplifting chorus sung in Gaelic. An amazing song and one of the best songs this band have recorded.
The vocal arrangements, the uplifting lyrics – they have really nailed it on this one.
Beautiful World’ is a real left-field song, co-written with former Massive Attack producer/composer Neil Davidge, it has a cinematic and epic feel to the music that rises nicely to a full band crescendo.
The title track mixes a little Led Zeppelin with background atmospheres and Cormac Neeson really lets fly on his vocal powers. Listen to the outro you will be suitably impressed.
Oh and listen to ‘Untrue Colour’ for the Cars-like synth breaks – one for a future airplay/single release. They still rock out though, as ‘Left Me Standing’ romps along nicely and features Thin Lizzy approved guitars. There is also ‘Demon Drive Man’ driven by a straight riff..
‘Real Life Dreamers’ sees Cormac joined by Fiona McBride for a slow, haunting number and along with slow blues of ‘Tunnel’, add more variety to the mix. The latter song features Hammond and a blistering solo by Paul Mahon.

'Solas' shows a band truly coming of age and stretching themselves both musically and artistically as song writers.
Quite possibly one of the most important albums that The Answer will ever record, and definitely one of the best albums to be released in 2016!

Very Highly Recommended!

Rating: 10/10

Saturday, 3 September 2016

THE Quireboys - Twisted Love (2016)

Genre - Hard Rock / Classic Rock
Label - Off Yer Rocka Recordings

Track listing:
01 - Torn & Frayed
02 - Ghost Train
03 - Killing Time
04 - Twisted Love [Album Version]
05 - Breaking Rocks
06 - Gracie B (Part II)
07 - Life's a Bitch
08 - Stroll On
09 - Shotgun Way
10 - Midnight Collective

The Quireboys return with their tenth studio album in the form of Twisted Love, once again opting to record in the Swedish town of Klippan, where they recorded the previous CD and again  choosing to produce it themselves along with the aid of Martin Ekelund.
One of the first things that becomes evident upon listening to Twisted Love is that despite there only being two original members in the band,  front man Spike (Jonathan Gray) and guitarist Guy Griffin, there is a focus and chemistry that really brings the best out of the guys. Boasting a line-up which has been in place since 2013, there’s no denying that it’s benefiting them massively, you can see it in their live shows too. It’s strengthening them and allowing them to turn in some of their best songs of their career.
Songs like “Stroll On” and “Shotgun Way” sound like they could have come from their early '90s efforts. Meanwhile, tracks such as “Ghost Train” and “Breaking Rocks” sound much more akin to the more modern sensibilities of recent albums. But all of them are dripping in that classic Quireboys sound!
The dual guitars of Guy Griffin and Paul Guerin complete with their backing vocals tie in neatly with Keith Weir’s keyboard melodies, really outdoing himself this time around. Title track “Twisted Love” also features blues powerhouse Lynne Jackaman on backing vocals, trading barbs with Spike, the sultriness lingering in the background yet notably obvious. "Killing Time" is reminiscent of Aerosmith’s Eat The Rich only much more earthly. “Gracie B”, originally from the previous, acoustic-driven album St Cecilia and the Gypsy Soul. It was given a full electric outing on their tour this year and it sounded massive. Re-worked based on that and included here, the standout of its original album, it’s been transformed into a new beast, even more dangerous than its original form.
Meanwhile the engine room of Dave McCluskey on drums coupled with Nick Mailing’s bass has helped propel the band to a new level of quality, the years of playing and recording together is obvious, something you can only get with a regular line-up. There’s a deft hand involved for the pair of them, Dave’s drums especially featuring more prominently this time around due to the harder edge Spike had promised this time around.
As before, the band have produced the album with Martin Ekelund of Bonafide and once again, he’s managed to get the best out of them.
Promising “no ballads” this time around seemed like a weird prospect for a band like The Quireboys, especially when some of their best songs fall into that category but at no point do you wish they’d drop a gear and include a sequel to I Don’t Love You Anymore.
Their raucous singalong anthems are at the forefront in "Twisted Love" and it’s easy to pick out which will be the live favourites

Twisted Love is very highly recommended, and there has never been a band more deserving of their renaissance than The Quireboys. Constantly putting out brilliant albums, relentless touring and a band you can never accuse of turning in a bad performance, you’ll be hard-pushed to find a band to beat their consistency.

Rating: 10/10

Tuesday, 23 August 2016

Ginger Wildheart - Valor Del Corazon (Re-mastered) (2016)

Genre - Hard Rock /  Pop / Powerpop / Punk
Label - Round Records / Pledge Music

Track  listing:

Disc One
01 - Ugly
02 - Mother City
03 - G.T.T.
04 - Yeah, Yeah, Yeah
05 - This Is Only A Problem
06 - Ten Flaws Down
07 - Paramour
08 - The Man Who Cheated Death

Disc Two
01 - The Drunken Lord Of Everything
02 - L.O.V.E.
03 - The Way
04 - Drinking In The Daytime
05 - Keep It Cool
06 - Only Lonely
07 - Your Mouth
08 - Change
09 - My Friend The Enemy
10 - Bulb
11 - Something To Believe In

Originally released back in 2006, Ginger Wildheart's proper debut solo album, Valor Del Corazon,  gets the full re-mastering and re-release treatment (along with 2007's Yoni and 2008's Market Harbour albums). Valor del Corazon was original written and recorded during a very turbulent part of Ginger's life, with him dealing with various drug abuse issues and the collapse of his family. Recorded in Texas and produced by Ralph Jezzard (who had previously produced Endless Nameless by The Wildhearts.)
The album contains a lot of very personal lyrical references throughout and was an instant hit amongst Wildhearts and Ginger fans.
But how does the re-master sound?
Well to be fair I personally never had any issues with the original release, but I have to say Jase Edwards has done a sterling job here. Now don't get me wrong, this is a re-mastering not a re-mixing (unlike Yoni) but non the less the difference is noticeable. First of all everything sounds brighter and fresher, every instrument sounds that little bit clearer and more defined. the listener starts to notice things that had previously gone un-noticed, such as the guitar melody / riff during the mid section of 'G.T.T.' which Ginger would later recycle into the main driving riff of Market Harbour's 'Shatterproof'! The acoustic guitars are more defined on 'This Is Only A Problem' which emphasize
 the country feel of the song even more. The sound effects during the first verse of '10 Flaws Down' are less annoying and distracting allowing the song to achieve its full impact. One of the biggest differences that I noticed is just how bright and clear the piano sounds on what I believe to be is one of Ginger's greatest ever songs, 'The Man Who Cheated Death'. Truly breath taking.
The re-mastering also brings out more textures in songs like 'The Drunken Lord of Everything' which I have always felt is 'Geordie In Wonderland's' big brother, here the drums seem sharper and clearer.

So there you have it, this re-mastered edition of Valor Del Corazon is well worth checking out, and hey if like me you already own the original then its still worth the investment if just for the fact it upgrades the originals sound quality a little.


Highly recommended

Rating: 10/10


Saturday, 20 August 2016

THE QUIREBOYS - Twisted Love EP (2016)

Genre - Hard Rock / Classic Rock
Label - Off Yer Rocka Recordings

Track listing:

01 - Twisted Love (Radio Edit)*
02 - Win Some, Lose Some *
03 - Mayfair (Live) *
04 - I Love This Dirty Town (Live) *
05 - Twisted Love (Full Length Bonus Version)
* non album tracks

The Quireboys are back stronger than ever, as judging the quality of this advanced EP the band feels energetic 'n rockin'.
Title track 'Twisted Love' released as the lead single from the forthcoming new album, Twistid Love (due sept 10th) sees guitar players Paul Guerin, Guy Griffin and frontman Spike joining forces to deliver one of the darkest Quireboys anthems to date. Featuring the sultry backing vocals of blues rock chanteuse Lynne Jackaman it's a song that shimmers from start to finish.  'Win Some, Lose Some' is a swaggering rocker reminiscent of early Aerosmith at times. This EP also gives us live renditions of 'Mayfair' and 'I Love This Dirty Town' which are dominated by the driving guitars of Guerin/Griffin. Full of energy and attitude.
The last track is a full length version of 'Twisted Love', which gives a real indication of what to expect from the forthcoming album.

Great to see the guys really hitting top form!

Rating: 10/10


Sunday, 24 July 2016

Watts - The Black Heart Of Rock N Roll (2016)

Genre - Hard Rock / Classic Rock / Rock 'n' Roll
Label - Rum Bar Records

Track listing:
01 - The Black Heart of Rock N Roll
02 - Up All Night
03 - She's So Electric
04 - Strut (Like A Champ)
05 - Bye & Bye
06 - Stage Fright
07 - Fast & Loose
08 - Sunset
09 - The B Side
10 - Bring On The Lights

Watt's return with their forth album in the form of The Black Heart of Rock 'n' Roll. Hailing from the same hometown as The Cars, Nervous Eaters, The Odds, Didn’t Planet and countless other very talented bands, Watts is yet another example of why there may be no better place to be a rock fan than Boston, MA. With nods towards classic rock legends such as AC/DC, The Stones and Aerosmith and no shortage of hit-worthy hooks, The Black Heart of Rock ‘n’ Roll is one very engaging record. Watts takes you on a whirlwind wild ride from album opener, “The Black Heart of Rock n Roll” through arena-ready, guitar-heavy rockers “Strut (Like a Champ)” and “She’s So Electric”. There’s a nod to the pop side with “Bye & Bye”, which I feel is one of the albums weakest tracks,  Toys in the Attic grit with “Stage Fright”, a bit of Keef twang in “Fast & Loose”, and ode to the the 45 “The B Side”, and closing out with the blistering, arena rock show stopper “Bring On The Lights”. plus there's the made-for-radio lead single and video “Up All Night”, brilliant bouncy fun! There really is a lot to like about Watts Black Heart of Rock ‘n’ Roll.
A great band with their hearts set in the musical mindsets of the late eighties and early nineties, think Last Of The Great Dreamers, The Quireboys and Dogs D' Amour.

Well Worth Checking Out

Rating - 8/10

DOROTHY - RockIsDead (2016)

Genre - Hard Rock / Classic Rock
Label - Roc Nation

Track listing:
01 - Kiss It
02 - Dark Nights
03 - Raise Hell
04 - Wicked Ones
05 - Gun In My Hand
06 - Medicine Man
07 - Woman
08 - Whiskey Fever
09 - After Midnight
10 - Missile
11 - Shelter

Fronted by incredible female vocalist Dorothy Martin, DOROTHY is nothing but rock at its absolute finest, and "RockIsDead" is an album not to be missed.
Based in L.A., DOROTHY includes lead singer Dorothy Martin, Zac Morris on drums, DJ Black on guitar, and Gregg Cash on bass. And although there is no doubt that lead vocalist Dorothy Martin is the real star of the show, the band are pretty damn tight too!
There is also a good chance you’ve heard a DOROTHY song before and just haven’t been able to put a name to the band. Their songs have been featured on Pretty Little Liars, Orange Is The New Black, and even the DLC trailer for Tom Clancy’s The Division. DOROTHY's backbone is basically classic rock with some traditional hard rock touches in a vintage style, conjuring from early Heart / Ann Wilson with Led Zeppelin, to Janis Joplin with a little Jimi Hendrix and Lenny Kravitz thrown in.
There is something on this album for everyone. 'Kiss It' has some Joan Jett on it with a catchy bluesy riff envelope, the groovy 'Dark Nights' adds a swamp rock feel with stadium choruses and an infectious riff, and 'Wicked Ones' with the sing-along "ah ah ah.." call-and-response chorus.
'Woman' is some kind of ballad whilst 'Whiskey Fever' is a thumping ode to that brown liquor all on a very '80s sounding package. In 'Gun In My Hand' the band mix some Americana that works greatly, then 'Medicine Man' evokes very early Eighties Heart.
More variation appears in 'After Midnight', a dynamic rocker with a Black Sabbath-like bass/guitar riffs blended with blues matched only by Martin's skyrocketing vocals. 'Missile' is perhaps the albums most  commercial track, anthemic with claps ala Queen's We Are The Champions yet with an unmistakable American feel. And if you need an emotional ballad, there's 'Shelter' and its bluesy heart.
Blending classic rock, blues, crowd-pleasing stadium rock and some traditional hard rock, DOROTHY's full length debut "RockIsDead" is a terrific collection of pure rock songs around the 3-minute mark plenty of heart & soul. Dorothy Martin is not only one hell of a vocalist, but she looks smokin' hot too!

Very Highly Recommended!

Rating: 10/10

Sunday, 10 July 2016

Silver Horses (feat Tony Martin) (Remastered 2016)

Genre - Hard Rock / Classic Rock
Label - 7Hard

Track listing:
01 - Rub It On Me
02 - Run
03 - Life And Soul
04 - Diamond Sky
05 - Secret Service
06 - Suddenly Lost
07 - Me
08 - Silver Horses
09 - You're Breaking My Heart (Don't Do It)
10 - You
11 - Who's Holding On To Yo
BONUS TRACKS:
12 - Me (acoustic version)
13 - The Song That Never Was

SILVER HORSES were formed in Italy five years ago by guitar player Gianluca Galli (Time Machine) and drummer Matteo Bonini (MGRB) . After the band completed the line-up with bass player Andrea Castelli, they needed an Anglo-born vocalist to sing their Classic Hard Rock songs.Through Dario Mollo they contacted Tony Martin (Ex Black Sabbath, Mollo Martin, Giuntini Project, Empire, M3), who immediately accepted, and the combo recorded their self-titled debut. Best known for his time fronting British legends Black Sabbath during their most commercial period in the late ‘80s / early ‘90s, Martin’s bluesy tone was the perfect choice for this kind of material. Silver Horses' music is Classic, traditional Hard Rock with a foot firmly planted in the Seventies and the other in the groove from the '80s very reminiscent of classic Whitesnake and Free.
"Silver Horses" bears a strong influence from the Page / Plant band on opener "Rub It On Me", "Life And Soul" and the acoustically filled "Diamond Sky", all in the Led Zepp IV vein.
Much more modern, "Secret Service" recalls the Coverdale/Page adventure, while in the marching "Run" brings to mind middle-Eighties Deep Purple.
The band shows a more contemporary approach in the Eastern flavoured "Me", the bluesy hard rocking Badlands-like "You", and the moving "You're Breaking My Heart" where the Whitesnake / Bernie Marsden era comes to mind.
the albums title track, "Silver Horses", is a moody mid-tempo bluesy acoustic number, and the band also deliver good ballads in the form of the  groovy "Suddenly Lost" and the pure acoustic closer "Who's Holding On To You", a really classy track with a nice melody.
This re-mastered reissue add two nice bonus tracks. One is titled 'The Song That Never Was', a nice short instrumental track, while the other is the new acoustic version of "Me", but this is not just a relaxed take of the same song, this has been completely reworked / re-arranged and sounds completely different.
"Silver Horses" offers a very, very classic set of hard rock songs that are very well composed, performed and recorded.
The sound and style are typically British, served with a precise and polished musicianship finely produced, warm and organic. Tony Martin feels right at home within this material and his voice is in top form as usual, enhancing the tunes with his phenomenal throat.
A good dish of Classic Hard Rock is always welcomed, and "Silver Horses" is very, very purist in its delivery.

Very Highly Recommended!

Rating: 10/10

Thursday, 9 June 2016

RIVAL SONS - Hollow Bones (2016)


Genre - Hard Rock / Classic Rock
Label - Earache (Warner)

Track listing:
01 - Hollow Bones Pt. 1
02 - Tied Up
03 - Thundering Voices
04 - Baby Boy
05 - Pretty Face
06 - Fade Out
07 - Black Coffee
08 - Hollow Bones Pt. 2
09 - All That I Want

Although Long Beach classic rockers RIVAL SONS released their first album all the way back in 2009, Before The Fire, things really started to happen for them in 2014 with Great Western Valkyrie , an album which charted in fourteen countries around the world and saw the band appear on a wide array of prestigious television and festival appearances as well as supporting some of the biggest names in rock history. Now the band returns with their latest effort "Hollow Bones"  and have even being hand-picked recently to tour with the mighty Black Sabbath on their farewell tour for the remainder of the year.
Rival Sons appear to be able to do no wrong, and "Hollow Bones" is no exception.
Album opener and leading single “Hollow Bones Pt.1” immediately sets the tone, as Scott Holiday‘s fuzzy guitar carries through as a signature sound throughout many of these groove melody tracks. Its link with its counterpart “Hollow Bones Pt.2” later in the record syncs beautifully, like two long lost siblings reuniting.
Tied Up” and “Thundering Voices” among others follow suit, while retaining their own unique and individual presence with subtle touches and arrangements. This is no doubt contributed not only by the band’s talents as musicians and songwriters but also by the talents of two-time Grammy winner Dave Cobb taking on producer duties once again.
Outside the obvious expectations that deliver and exceed in fine rock n’ roll, the album has some of its strongest moments when the band strips back the wall of sound.
Bassist Dave Beste and drummer Michael Miley earn serious brownie points for rhythm sections as their precision playing holds this record together and is a fierce driving force. They also know how and when to hold back; a quality in musicians equally as admirable and impressive as an epic performance.
In tracks such as “Fade Out” and in particular the haunting, Damien Rice-esque album closer “All That I Want”, these qualities bare great results as they allow enough space not only for a different style of song, but also for vocalist Jay Buchanan‘s vocal delivery to be as strong and passionate as possible. And man, does he deliver!
Soulful, funky, hard-edged, colourful, classic. That's all here in "Hollow Bones", Rival Sons' most varied production to date.

Highly Recommended

Rating: 10/10

MASSIVE WAGONS - Welcome To The World (2016)

Genre - Hard Rock / Classic Rock
Label - Off Yer Rocka Recordings

Track listing:
01 - Nails
02 - Tokyo
03 - Welcome To The World
04 - Ratio
05 - Shit, Sweat Death,
06 - The Day We Fell
07 - Fighting Jack
08 - Jodie
09 - Aeroplane
10 - Fee-Fi-Fo-Fum


Ok so this one has been out a little while now, but hey better late than never hey? British rockers Massive Wagons return with their third album in the form of Welcome to the World, and what an album it is!
The album opens with the blistering  'Nails', which throws the listener straight into the deep end of full steam ahead fast-paced Rock ‘n’ Roll, sometimes bringing to mind Rob Zombie (vocally at least!). It’s an awesome track which doesn’t wait around for you to get comfortable, and instead demonstrates pure unadulterated attitude. Next up is the albums lead single, 'Tokyo', which has a more commercial edge to it, yet still rocks like a mutha fucker.Title track 'Welcome To The World 'is a really intriguing song, and really well-written,  with a mix of up-beat verses alongside bludgeoning riffs and mixed signal lyrics. Next up is 'Ratio', which sounds very similar to the intro to Primal Scream by Motley Crue, with its echoing drum beat and bass line opening. We then have 'Shit, Sweat, Death', which is laced with different stylings, from the Bluesy slide guitar intro that stride's into what I’d describe an adrenalin fuelled fast-paced hard rocker!
'The Day We Fell' was a really unexpected addition to the album, simply based on its incorporation of Pirate Metal (not too heavy, mind you) into their already unique style. A really great song, especially after the acoustic intro fools you into thinking that you have stumbled upon a ballad!
'Fighting Jack' follows with its squealing guitar intro, progressive guitar sequences, and finally the vocals, which follow the same arrangement as Still Of The Night by Whitesnake,
'Jodie' is up next, a great melodic rocker / ballad that really slows the albums tempo down a little allowing the listener to catch their breath a little. 'Aeroplane' follows, which really is the albums big ballad, with its great singalong chorus, a great song. the album closes out with 'Fee-Fi-Fo-Fum' which is a great fun rocking track!

Welcome to the World is a great rock album from a very promising British rock band

Very, very Highly Recommended!!!

Rating: 10/10



Tuesday, 19 April 2016

THE TREATMENT - Generation Me (2016)

Genre - Hard Rock
Label - Frontiers Records

Track listing:

01 - Let It Begin
02 - The Devil
03 - Tell Us the Truth
04 - Generation Me
05 - Backseat Heartbeat
06 - Cry Tough
07 - We Are Beautiful
08 - I Know She Knows
09 - Bloodsucker
10 - Better Think Again
11 - Light the Sun
12 - Killer (digital Bonus Track)

"Generation Me" is THE TREATMENT's 3rd studio album and the first to feature new members Mitchell Emms (who some of you may recognise from the BBC TV program The Voice) on vocals & Tao Grey on guitar.
The opening track and first single ‘Let It Begin’ kicks in with a catchy classic hard rock inspired riff and some rather excellent vocals from Emms. Sonically, it’s the same full on attack that you would expect from the band but it’s the vocal delivery which is different now and it works really well. A belter. ‘The Devil’ is next up, another strong song propelling the album onwards and upwards. ‘Tell Us The Truth’ keeps the momentum going with another foot stomping and air guitar playing rocking track, and title track ‘Generation Me’, is no slouch either and could quite easily be the next single. This is an immense hard rock track, hard hitting with loads of great hooks and some truly great guitar playing. ‘Backseat Heartbeat’ is as slow as this album ever gets, an infectious song with a great chorus.  ‘We Are Beautiful’, ‘I Know She Knows’, ‘Bloodsucker’ and ‘Better Think Again’ continue to maintain the high standards set by the albums earlier tracks and can all be examined and pass with flying colours, while the album closer ‘Light The Sun’ is really the icing on the cake.
Bonus track 'Killer' is indeed an assassin rocker plenty of stinging double guitars and a cool street attitude.
"Generation Me" is a great album from a revitalised band.....very Highly Recommended!

Rating - 9/10

Sunday, 30 August 2015

The Burning Crows - Murder At the Gin House (2015)

Genre - Hard Rock / Classic Rock
Label - Burning Crows Records
 
Track listing:
 
01. Hell to Pay
02. Come On
03. Shine
04. Alright
05. Goodbye (To the Sunshine)
06. 11:37
07. Little Bit More
08. She's the Summertime
09. Feels Like Home
10. Holding On

British rockers, The Burning Crows, return with their second album in the form of "Murder At the Gin House", and what an album it is too!
The CD kicks into a high gear right from the start with the swaggering and strutting ‘Hell To Pay’, with its great guitar hooks and singer Whippz’ vocals, strong and expressive with that hint of roughness that gives it just the right rock ’n’ roll feel. The band follows that up with the hooky, irresistible rocker ‘Come On’ with its irresistible heavy bass line. Shine’ and the outstanding track ‘Alright’ follow, both just sparking with guitar energy and an air of defiance. Then power ballad ‘Goodbye (To The Sunshine)’ gives The Burning Crows a chance to show off a slightly softer side and some passionate vocals / guitar work, before firing up the hard-rocking hotness of ’11:37’ and delivering some raucous, rollicking riff-magic on ‘Little Bit More’. ‘She’s The Summertime’ is a goose bump -inducing track, with its shiny-happy classic rock sound that brings to mind the best of the '80s, mixed with a big shot of the band’s fiery soulfulness. ‘Feels Like Home’,  a party-fuel track that ramps and amps things up with speeding riffs and infectious chorus. Great song. Closing track ‘Holding On’ is a beautiful piece of music, adding some strings and orchestra, and revealing some real tenderness in both the music and the vocals.
Recorded at the world-famous Rockfield Studios with skilled producer Nick Brine (The Darkness, Bruce Springsteen) behind the desk, this new record sounds clear yet powerful with a kickin' stadium feel. "Murder At The Gin House" proves that The Burning Crows are ready to break into the big leagues, and may just prove to be the game changer that will facilitate such a break through.
 
Simply one of the best classic rock albums that I have heard, ever!
 
Very Highly Recommended!!

Rating - 10/10 

 



Sexy - Shout For Sexy! (2015)

Genre - Hard Rock / Classic Rock
Label -  Ambulance Recordings
 
Track Listing:
 
01 - Supernova Queen
02 - Drive
03 - Pamela
04 - Baby
05 - Late Night
06 - Fortunate Son
07 - Street Of Sin
08 - Don't Waste My Time
09 - Shout For Sexy!
 
Sexy are a 'Hot 'n 'Nasty Rock 'n' Roll' band hailing from Zofingen, Switzerland. Now how do I best describe Sexy? Well imagine if you can, a little bit of Kiss mixed with a whole lot of Black Sabbath. Good old fashioned heavy hard rock, with some great pop sensibilities too. For example, 'Pamela' has all of the hall markings of a great seventies era Kiss classic whereas Baby has some great bone crunching guitar work. To be fair I think that Sexy may have just about found the perfect balance between heavy and melodic., and vocalist Pascal Tallarico can hold a tune too!
I have to admit to not really knowing too much about these guys except that they truly rock, and I can see "Shout For Sexy!" becoming a regular on the decks so to speak.
The album was recorded within four days at Soma Studios with the world famous producer Reto Peter, Oakland, California.
Good old fashioned solid hard rock, yes that is the best way to describe this band and album.
There is not a duff track in sight on "Shout For Sexy!", but if I had to pick a couple of stand out tracks then 'Supernova Queen', 'Pamela', 'Baby', 'Street Of Sin' and 'Don't Waste Mt Time' are well worth a mention.
 
Well worth tracking down and checking out!
 
Rating - 9/10
 
 
 



Biters - Electric Blood (2015)

Genre - Hard Rock / Classic Rock
Label - Earache Records
 
Track listing:
 
01 - Restless Hearts
02 - 1975
03 - Heart Fulla Rock 'N Roll
04 - Dreams Don't Die
05 - Electric Blood
06 - The Kids Ain't Alright
07 - Low Lives In Hi Definition
08 - Time To Bleed
09 - Loose From The Noose
10 - Space Age Wasteland
 
Biters are a hard rock band hailing from Atlanta (USA) and are hell bent on reviving the good old days of classic hard rock, together with quite a few other bands today, you could say that there is a nice little scene growing worldwide. Many bands struggle to make an impression with early albums due to lack of direction and personality but this is definitely not the case with Biters. Their songs are focused and have a maturity about them that really should be a young bands debut album, yet clearly isn't in this case.
Electric Blood is packed to the brim with huge catchy chorus's and melodic riffs,  album opener, "Restless Hearts", is a positive, punchy and catchy rock n’ roll number, "1975" follows with its huge chorus and a groove, that although disciplined, will get those feet tapping, I guarantee!
"Heart Fulla Rock N’ Roll" brings with it some nostalgia and an impression of the spirit of what Biters are all about, while the enigmatic and heartfelt "Dreams Don’t Die" adds a real sense of class and sophistication to proceedings. "Low Lives In High Definition" adds some pacey riffs to the mix, whilst "The Kids Ain’t Alright" really mixes things up, starting out as a heart touching ballad before bursting into life in the form of a massive arena-filling anthem. Great song!
 Biters are a great band and Electric Blood is a very good album that manages to cover all the bases, even managing to sound familiar upon the first listen.
 
Well Worth Checking Out!
 
Rating - 9/10

 
 


 

Sunday, 19 July 2015

JONO - Silence (2015)

Genre - Hard Rock
 
Track listing:
01 - Man of Misery
02 - Wasting Time
03 - Can We Make It
04 - Turn Around
05 - Your Bread
06 - In My Life
07 - Clear
08 - The One to Blame
09 - Opus
10 - Josefina
 
Jono's music, vision and inspiration marry up the best of early Queen, Kansas and even Toto into a magical recipe that transcends any genre or classification. But if you want it, call it Pomp meets Progressive meets Melodic Rock perfection. And I truly mean that! Jono are the best, pomp rock band that I have heard since Queens classic first two albums!
Jono already set the bar very high with the terrific "Man of Misery". Dynamic, articulated, plenty of nuances and although no Freddie Mercury,a vocalist to die for.
2nd track "Wasting Time" and it does not justify its title, believe me. If the opener was great, this is simply awesome. Jono is melodically perfect, but they go much more beyond with elastic instrumentation, superb arrangements and clinical performances.
"Can We Make It" and the extremely beautiful "Turn Around" are next in line, and the top quality continues. Think like a mix of the rocking Queen, Supertramp, Saga, ACT and City Boy.
But forget the 'Jono sounds like' preconceived opinion... Jono sounds like Jono and like no-other. They take the influences and mash-up everything into something unique.
Their extremely polished sound is pompous, bombastic and sometimes overblown, but never pedestrian.
I could mention all tracks on "Silence" as highlights, because this record is pure gold. Yes, it's close to perfection. Even the cover artwork is magnificent.
JONO are the real deal, quite possibly the most talented Rock band emerged in the last fifteen years (and more).

Very, Very, Highly Recommended!

Rating 10/10