13 - Sympathy For The Devil (Rolling Stones Cover)
Motorhead are back! And by god are they back with quite simply their best album in decades. Don't go into listening to Bad Magic expecting to hear something new and ground breaking, its simply Lemmy and Co doing what they do best, raw dirty hard hitting rawk n roll.
Bad Magic opens with 'Victory Or Die', a typically feisty Motorhead number with Lemmy barking out the vocals. This then leads into 'Thunder & Lightening' which finds the guys in full flight with a huge riff from the Welsh wizard, Phil Campbell, a classic Motorhead track. With these two tracks you kind of get the feel of how this album is going. Sure there's plenty of variation on offer, the blistering 'Shoot Out All Your Lights', 'The Devil', a sleazy bluesy rocker with a great solo courtesy of Queen's Brian May to the half ballad 'Till The End', which sees Lemmy in fine voice. Hell for a gent of Seventy years of age he still rocks better than most today.
Bad Magic is the album that Motorhead have been threatening to make for the past few years and would be a fitting album for the God Fathers of metal to bow out on should they so desire (if Lemmy's health doesn't force the issue).
EUROPE unleash "War Of Kings", the band's 10th studio album and first under UDR Records.
The new CD from John Norum & Co. is a comeback to the heavier, more technical sound of Europe's origins, still wrapped with their unmistakable melodies and, essentially, bigger than ever.
Vocalist Joey Tempest stated that "War Of Kings is the album we always wanted to make, ever since we were kids listening to bands like Zeppelin, Purple and Sabbath. And after hearing Dave Cobb amazing production for Rival Sons we simply had to work with him. Our adventure is still ON!"
Oh yes, "War Of Kings" is a Classic Hard Rock album, and a great rocking one.
This is clear since the opening title track cutting through with a heavy, driving, bass-driven riff, which then ignites in epic fashion through melting guitars and a roaring rhythm section.
One of the great things about this band is their awe inspiring ability to combine monumental storytelling with astounding melody. And this track conveys all in every way.
As one could expect, the song writing is spectacular; great thought obviously being put into choosing this piece as the album's first shot fired. I was once again blown away by Joey Tempest's indomitable vocal talent, showing no audible signs of aging.
Next, a Thin Lizzy influence is proudly belted out on "Hole In My Pocket", three and a half minutes of pulsating hard rock that bears a fine resemblance to Lynott and Co’s Cold Sweat. Joey Tempest has never been given the full credit he richly deserves for his multifaceted vocal range.
And then we have the feel-good "The Second Day", a fantastic mid-paced, AOR-like track that capitalises on its catchiness with the instrumentation lightly arranged to thicken the chorus and dissipate, adding breeze and flow to the verses.
If you would like to remind yourself of how Europe craft those killer, enormous, Euro-style choruses, this is the track to turn to.
If Robert Plant ever gets the chance to hear "Praise You", I’m pretty sure he’d love to wrap his chops around it. And I'm sure Jimmy Page would tell him to do so. Once again gold plated vocals, but John Norum’s incomparable bluesy tones are sheer bliss.
Ian Haughland’s trademark thunderous skin beating introduces the angry and volatile "Nothin' To Ya". Europe remove the gloss for this one, and replace it with a large coat of nastiness.
If you are an enthusiastic night driver, "California 405" should rattle your dashboard nicely. The soothing cruising rhythm and Norum’s mouth watering guitar solo are a stone wall triumph.
"Children of the Mind" proves this album Rocks: easily one of the more metallic tracks, they get their Dio kissed Rainbow / Sabbath influence with a powerful mix of technicality, groove and catchiness, where Joey's voice also takes leaps and bounds, holding powerful notes long and high. Another massive song that will both grip and haunt you at the same time.
For something completely different, a touch of middle eastern promise flows through "Rainbow Bridge", Mic Michaeli’s provocative keyboards providing a captivating backbone to a song that oozes sex appeal and melodic delights.
It’s now 29 years since the honey dripping ballad Carrie had mullet wearing couples locking their body parts, and a fine tune it was too. But one listen to "Angels (with Broken Hearts)", a ballad of divine beauty, and you’ll see the leap in class their song writing has taken. It’s moody, atmospheric and even if you possess the coldest of souls, this will stop you in your tracks.
If you want to revel in the elegant mastery of John Norum’s playing, look no further than his closing piece on "Light Me Up and this Digipak bonus "Vasatan". His grit, soul and sincerity cascade on every chord struck. To call it a master class would be doing it an injustice. The man is a modern day maestro who’s genius has not yet been fully treasured.
This is definitely Europe's strongest record in years, and one of the best of their career. Not only a tremendous release for the Metal and Rock world, but a testament to the band's history.
It's an explosive Classic Hard Rock album plenty of killer tracks and kick ass performances, showing their influences yet with a definitive Europe stamp. ROCKS.
Rating - 9/10
"War Of Kings" is the upcoming, 10th studio album by Swedish superstars EUROPE, to be released on March 2, 2015 by UDR Records. The first single and title track is already available on iTunes and alike.
Vocalist Joey Tempest stated that "War Of Kings is the album we always wanted to make, ever since we were kids listening to classic bands like Zeppelin, Purple and Sabbath. And after hearing Dave Cobb amazing production for Rival Sons we simply had to work with him. Europe is still hungry, and our adventure is still ON!" The song has a pretty classic hard rock sound, yet with a bright modern production sound. It promises to be a great album.
